Monday, September 24, 2007

Exhortation for writers, including those of PhD's

No matter how just the criticism, any criticism at all which depresses you to the extent that you feel you cannot ever write anything worth anything is from the Devil and to subject yourself to it is for you an occasion of sin. In you, the talent is there and you are expected to use it. Whether the work itself is completely successful, or whether you ever get any worldly success out of it, is a matter of no concern to you….You do not write the best you can for the sake of art but for the sake of returning your talent increased to the invisible God to use or not use as he sees fit. Resignation to the will of God does not mean that you stop resisting evil or obstacles, it means that you leave the outcome out of your personal considerations. It is the most concern coupled with the least concern.
Flannery O'Connor
from the 25 Nov 1960 letter to "A" in The Habit of Being

Wednesday, September 19, 2007

Harry Potter found Orthodox, with thoughts on Rowling vs. Cooper

This is for those of you who've experienced a conversation that begins something like this:

You like Harry Potter books? But they're all about magic, and as a Christian I don't think we should indulge ourselves in reading something that is tainted with the occult. Besides, Harry lies and keeps secrets from adults - what kind of example is that for children?
At some point you then run into:
Well, C.S. Lewis is different. After all, Aslan is clearly Jesus. There's no God in Rowling's work.
And then:
Well, J.R.R Tolkein, he's different too. Besides LOTR is the book of the century - there maybe no God in LOTR, but Frodo is pretty Christ-like, isn't he?
And usually ends with:
Well, I just don't see the point of reading something like that. I'd be better off spending my time reading something more edifying.
The good news is you can now refer skeptics to a great article by Mark Shea, Harry Potter and the Christian Critics, posted on the First Things blog. WARNING: SPOILERS, esp. of the final book. For those of you disturbed by a certain part of the climax of the series, Shea comes up with a really helpful reading of the episode that might alleviate some concern.

I've recently been re-reading the first two books of Susan Cooper's The Dark is Rising series, soon to come out in the movies. Cooper is a very talented writer, in some ways more so than Rowling, but a comparison of the two reveals how much more deeply Christian is Rowling's work.

Cooper is a modern dualist, and says as much in her books (esp. in The Dark is Rising, where the world that she has created is explained to Will, the protagonist). The Light for Cooper is defined not by goodness and love, per se, but by its enmity to the Dark, an enmity that is part of the nature of the Light and not a choice. Dark and Light are equally matched opposites, and victory is not at all guaranteed to the Light. The Light are much more considerate of humans than the Dark, and indeed fight on their behalf, but are also willing to pragmatically sacrifice people to accomplish their purpose, something that the virtuous human characters do not do. Bound by their nature and equal to their adversaries, their mercy and love are limited to the tools at their disposal. The results are sometimes quite startlingly pitiless, as truth and mercy are run rough-shod over in order to defeat the Dark and to save humans from pain. There are no gods here; only the magical nature of things and certain persons, which are in turn bound by rules over which they have no control within a world where the bounds between nature and persons are blurred. Victory is through magical strength (whether of persons or things), cunning, and a splash of luck or destiny writ in the nature of things. The ultimate vision is rather bleak, although Cooper tries to stay upbeat. On top of all this, the Church is explicitly denigrated as powerless to fight evil and is implied to be founded on a benign falsehood. A well-meaning vicar tries to fight the Dark through Christian prayer and exorcism, only to be side-lined as ineffectual and treated rather like a brave but foolhardy child while the Light wage the real war and win through magic objects. Will's dualist theology provokes concern by the vicar, who quite understandably wants to have a talk with him someday, but Will's attitude towards him is that of a world-weary grownup who knows better.

There is none of this sort of thing in HP. Christ may not feature in Harry's world, but neither is He side-lined as He is explicitly in Will's world. Also, Rowling has a strikingly different understanding of the battle between good and evil than Cooper. Rowling consistently demonstrates the ultimate weakness of evil, for all of its hideous strength. It fails not because its wizards are not cunning--indeed, who is more cunning than Voldemort?--but because a wicked man is incapable of valuing what is truly valuable: his soul (among other things). As in LOTR and Narnia, evil is not countered by strength in HP, but by self-sacrificial weakness, love, and loyalty. No one is merely expendable, not even enemies (who are generally treated without mercy by Cooper). In HP, goodness or wickedness is not something that you're born to, but born out of the choices you make, and no one in the entire cast (except possibly Lily) makes perfect choices. All sin and fall short. Unlike Cooper's series, in Rowling's series mercy and repentence are not limited, but offered to all, even while the cost of rejecting mercy remains.

Anyways, go look at Shea's article - it's a good read, far better than these scattered musings.

Wednesday, September 12, 2007

The Quest for the Perfect Bookholder

For many years now, I have been a staunch supporter of the portable book holder. The benefits are clear: easing neck pain and preventing scholar hunch, holding cookbooks away from the splatter zone, enabling the habit of reading while eating (or, conversely, breastfeeding, for you moms out there),...the list goes on and on.

The champion of years past I picked up on a whim one day at a local Borders. I haven't seen another like it for some time,* until today when I finally found its blessed maker Mighty Bright®. Now you too can savour the wonder of hands-free reading. The beauty of this model is of course its simplicity, its almost child-like simplicity. It folds up to be as flat as its non-pokey wires are thin. It never rips pages. It slides inside folders that you are taking into the library. It weighs almost nothing. It costs $6. It can manage most hardbacks and a lot of paperbacks. So many book holders make the mistake of being complicated, clunky, cutesy, and constrained by totally arbitrary expectations of book size. What is the point of a book holder that is only suitable for the lecturn? I'm a modern woman - I need mobility, choice, idiot-proofing, freedom from postures of authority, ridiculously cheap goods made in Asia, and...erm...thin-ness. Yeah! THIN-NESS!

So I rather like MightyBright®'s offering here, but...I've seen something new, exciting, different, and relentlessly marketed as the ultimate book holder with a media onslaught, the Easy-Read, which also doubles as a clip-on document holder - oh, the versatility! It is a little more complicated, but looks as if it might be able to take on almost any normal book, hardback or paperback, sizes b-d in UL lingo. The price is quite a bit steeper (all that research into ergonomics, I bet). There is a picture of it perched on a couch arm and nestled securely on the sands of the beach. It even has its own animated 'adventure'. Now that's classy, ain't it?

Anyhoo, I thought I'd pass on info about both to avid readers out there. Let me know how the Easy-Read goes. (I don't think I can wheedle one out of Pancho anytime soon...)


* I originally wrote "never saw another like it", but I was just informed that I bought another for a friend about 4 years ago, so there goes that hyperbole. The memory is already going - too much RAM devoted to dissertation, apparently...must de-fragment my drive...preferably in Majorca...on the beach...with Pancho...